<div dir="ltr"><br><div class="gmail_quote">---------- Továbbított levél ----------<br>Feladó: <b class="gmail_sendername">Élőkép Színház / Living Picture Theatre</b> <span dir="ltr"><<a href="mailto:noreply@livingpicture.org">noreply@livingpicture.org</a>></span><br>Dátum: 2016. február 24. 15:30<br>Tárgy: Etűdök alapszínekre / Etudes for Primary Colour<br>Címzett: <a href="mailto:papp.gyorgy@verespg.hu">papp.gyorgy@verespg.hu</a><br><br><br><u></u>

    
        
        
        
        

    
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                            <a href="http://us8.campaign-archive2.com/?u=ea25583de19ddc46eb42173d0&id=0b5b9f6b73&e=ff9a1d833d" style="word-wrap:break-word;color:#606060;font-weight:normal;text-decoration:underline" target="_blank">View this email in your browser</a>
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                                        <h2 style="line-height:20.7999992370605px;text-align:center;margin:0;padding:0;display:block;font-family:'Trebuchet MS','Lucida Grande','Lucida Sans Unicode','Lucida Sans',Tahoma,sans-serif;font-size:14px;font-style:normal;font-weight:bold;letter-spacing:-.75px;color:#404040!important"><font color="#000000" face="lucida sans unicode, lucida grande, sans-serif"><span style="font-size:14px">Élőkép Hírlevél 2016/1 </span></font><br>
<span style="color:#a9a9a9"><font face="lucida sans unicode, lucida grande, sans-serif"><span style="font-size:14px">Living Picture Newsletter 01/2016</span></font></span></h2>

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                                        <h2 style="line-height:20.7999992370605px;text-align:center;margin:0;padding:0;display:block;font-family:'Trebuchet MS','Lucida Grande','Lucida Sans Unicode','Lucida Sans',Tahoma,sans-serif;font-size:14px;font-style:normal;font-weight:bold;letter-spacing:-.75px;color:#404040!important"><span style="font-size:14px"><span style="font-family:lucida sans unicode,lucida grande,sans-serif"><span style="color:#000000">Szeretettel invitáljuk az Élőkép Színház ezévi első budapesti bemutatójára, az</span></span></span><br>
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<span style="font-size:20px"><span style="font-family:lucida sans unicode,lucida grande,sans-serif"><span style="color:#000000">ETŰDÖK ALAPSZÍNEKRE</span></span></span><br>
<br>
<span style="font-size:14px"><span style="font-family:lucida sans unicode,lucida grande,sans-serif"><span style="color:#000000">című vizuális színházi előadására</span></span></span><br>
<span style="font-size:20px"><span style="font-family:lucida sans unicode,lucida grande,sans-serif"><span style="color:#000000">2016. március 5-én 19.00 órakor</span></span></span><br>
<span style="font-size:14px"><span style="font-family:lucida sans unicode,lucida grande,sans-serif"><span style="color:#000000">a Bethlen Téri Színházba!</span><br>
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<span style="color:#a9a9a9">We kindly invite You to the visual theater performance titled</span></span></span><br>
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<span style="color:#a9a9a9"><span style="font-size:20px"><span style="font-family:lucida sans unicode,lucida grande,sans-serif">ETUDES FOR PRIMARY COLOURS</span></span><br>
<span style="font-size:14px"><span style="font-family:lucida sans unicode,lucida grande,sans-serif"> <br>
this year's first performance of the Living Picture Theatre in Budapest</span></span><br>
<span style="font-size:20px"><span style="font-family:lucida sans unicode,lucida grande,sans-serif">on 5th March 2016 at 7 PM</span></span><br>
<span style="font-size:14px"><span style="font-family:lucida sans unicode,lucida grande,sans-serif">in Bethlen Square Theater!</span></span></span></h2>

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            <div style="text-align:center"><span style="font-size:12px"><span style="color:#000000"><span style="font-family:lucida sans unicode,lucida grande,sans-serif">rövid videó / short video</span></span></span></div>

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<span style="font-size:14px"><span style="font-family:lucida sans unicode,lucida grande,sans-serif"><b><span style="color:#000000">Az est keretében két vizuális színházi etűdöt mutatunk be egymás után; az egyiket a </span><span style="color:#ff0000">piros</span><span style="color:#000000">, a másikat a </span><span style="color:#0000ff">kék</span><span style="color:#000000"> szín uralja.</span><span style="color:#a9a9a9"> <br>
<br>
Living Picture presents two visual theater etudes in one evening show; in one of the etudes colour red in the other one colour blue dominates.</span></b></span></span><br>
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<p style="margin:0cm 0cm 0.0001pt;line-height:13.5pt;text-align:justify;padding:0;color:#606060;font-family:Helvetica;font-size:15px"><span style="font-size:18px"><span style="font-family:lucida sans unicode,lucida grande,sans-serif"><b><span style="color:black">VÁLTOZÁS KAPUI / </span><span style="color:#ff0000">GATES OF METAMORPHOSIS</span></b></span></span><br>
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<span style="font-size:12px"><span style="font-family:lucida sans unicode,lucida grande,sans-serif"><span style="color:black">vizuális (tánc-) színházi etűd / </span><span style="color:#ff0000">visual (dance) theatre etude</span><br>
<br>
<span style="color:#000000"><b>Életre kelt női szobrok variálható jelmezükben női élethelyzetekből absztrahált gesztusokkal újra és újraformálják önmagukat, alakítják viszonyaikat. Különböző ritmusú helyváltoztatással folyamatában, de váratlanul rendezik át a tagolt tér képét. Létállapotaik a fények vetületei és a hangok által válnak érzékelhetőbbé.</b></span><br>
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<span style="color:#ff0000"><b>Brought to life and revealed from their versatile costumes, female sculptures reshape themselves and their relations, again and again, with gestures abstracted from women's typical life situations. Persistently yet unpredictably changing their positions in space in different rhythms, they re-arrange the view of the articulated scene. Their states of existence become more perceptible through projections of light and by sounds.</b></span><br>
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<span style="color:#000000">„A darab előadói testhezálló, látványos, vadpiros jelmezekben jönnek a színre. Alakjukra simuló ruhájuk tulajdonképpen egy textil-cső, amelynek két végébe kör alakú merevítő került. A ruha alapállapotában, a lábszárra eresztve kettős szoknyának látszik, ám csuklyaként felhúzható a fejre, vállra is... A szellemes jelmezzel zajló folyamatos játék az előadás egyik legnagyobb erénye. Az előadók e különös dresszt hol elegáns estélyiként viselik, hol gegforrásnak használják. Megjelenésükkor széles karimájú, piros kalapot viselnek hozzá: külsejükben egyszerre idézik Richelieu bíborost a történelmi filmekből (ezúttal nőalakban) és egy hatvanas évekbeli francia divatlap Nizzában lencsevégre kapott címlap-modelljét. Mókás, tipegő (és a szoknya által ügyesen rejtett) járásuk pedig az orosz néptánc elhíresült női gördülő-suhanására emlékeztet. A Változás kapuiban szinte kizárólag humorral, és látványos képekkel találkozhatunk. A Philippe Découflé korai munkáira emlékeztető, groteszk „lény”-ség sajátos humora, a nem emberi mozdulatok, a repetíció, az egységes, szürreálisan sejtelmes, de nem elkomolykodott tartalom erős, izgalmas élményt hoz. (...) A végeredmény egy emlékezetes, friss szellemiségű és jókedvű alkotás.” Halász Tamás, Ellenfény (színházi folyóirat) 2003/1-2</span><br>
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<span style="color:#ff0000">"Performers come to the stage in tight-fitting, spectacular, wild red costumes. Their slinky dresses are made from a textile tube with a round stay at each end. The costume’s basic form appears as a double skirt, let down to the legs, but it can also be drawn up to the head like a hood, or to the shoulders... The continual interplay with the clever costume is one of the greatest virtues of the performance. The actors wear this unusual dress at times as an elegant evening dress, and at others use it as a source of gags. When they appear, they are wearing a matching wide-brimmed red hat: their appearance simultaneously evokes Cardinal Richelieu (this time, as a woman) from historical films, and a cover girl of a 1960s French fashion magazine, on a photo shoot in Nice. Their funny, toddling steps (cleverly concealed by the skirt) are reminiscent of women’s famous gliding-swishy movements of the Russian national dance. In the Gates of Metamorphosis, we encounter almost exclusively humorous and spectacular scenes. Reminiscent of Philippe Découflé’s early works, the original humour of grotesque human-being-ness, the in-human movements, the repetition, and the unified, surrealistically enigmatic, yet not so serious content provide a powerful and exciting experience. (…) The result is a memorable work with a fresh intellectual and gleeful outlook." (Tamas Halasz)</span><br>
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<b><span style="color:black">Előadók: </span></b><span style="color:#ff0000"><b>Performers:</b></span><br>
<span style="color:black">Hrotkó Heléna, Lipták Orsi, Makra Viktória, Sipos Orsolya</span><br>
<br>
<span style="color:black"><b>Zenei montázs: </b></span><span style="color:#ff0000"><b>Music montage:</b></span><br>
<span style="color:black">Mátrai Péter<br>
<br>
<b>Közreműködők: </b></span><span style="color:#ff0000"><b>Contributors:</b></span><br>
<span style="color:black">Terebessy Tóbiás, Gyöngyösi Adrienn, Bársony Júlia<br>
<br>
<b>Látvány, rendezés: </b></span><span style="color:#ff0000"><b>Scenography, direction:</b></span><br>
<span style="color:black">Bérczi Zsófia<br>
<br>
<b>Támogatók: </b></span><span style="color:#ff0000"><b>Sponsors:</b></span><br>
<span style="color:black">Sín Stúdió, Emberi Erőforrások Minisztériuma, Élőkép Egyesület</span></span></span><br>
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<span style="font-size:18px"><span style="font-family:lucida sans unicode,lucida grande,sans-serif"><b><span style="color:black">HULLÁMTÉR / </span><span style="color:blue">WAVE SPACE</span></b></span></span><br>
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<span style="font-size:12px"><span style="font-family:lucida sans unicode,lucida grande,sans-serif"><span style="color:black">absztrakt vizuális (báb-) színházi előadás / </span><span style="color:#0000ff">abstract </span><span style="color:blue">visual (puppet) theatre</span><br>
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<span style="color:#000000"><b>Rádióhullámmal vezérelt, kék fénnyel világító hullámformák lágy dallamok ütemére billegnek-úsznak-forognak a térben, s közben az általuk formált alakzatok képzeletünket magukkal ragadják. Az egyensúlyt keresve minden mozgásban van, ezért szüntelen a világban az áramlás. "Pantha rei" - minden folyik - mondta Hérakleitosz és a változás állandóságára irányítja figyelmünket a keleti filozófia is.</b></span><br>
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<span style="color:#0000ff"><b>Controlled with radio waves, blue lighting waveforms are waggling-floating-rotating in space for soft melodic rythms, while the shapes formed by them carry away our imaginations. In the universe, all is in motion, seeking for balance - this is why the flow is unceasing. "Pantha rei" - everything flows - said Heraclitus, and Eastern philosophy directs our attention also to the constant change. Blue lighting waves float in the space evoking certain phenomena of our world.</b></span><br>
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<span style="color:black">„A Hullámtér kék derengésének főszereplője az a világító hullámalakú szerkezet, amelyből minden előadó tart egyet, illetve az instrukciónak megfelelően forgat, mozgat, összeilleszt... A tárgyakból aztán elmozdulásaik iránya és sebessége szerint, no meg a sejtető zenei montázsból, mindenféle kompozíciók és asszociációk csapódnak ki. Forgó propellerek, tenger felett szárnyaló sirályok idéződnek meg, és olykor talán kialakul valamiféle misztikus diagram is. Beleandalodva a változékonyságában is monoton, egynemű hangulatba, hirtelen eszünkbe juthatnak a Bauhaus színpadának 1920-as évekre eső kísérletei, amelyekben „a táncos-pantomimikus ember nem mint egyéni kifejezés hordozója jelenik meg", s tánca aszerint alakul, hogy „emberi test-mechanizmusként mozog-e, vagy mozgó díszletekre reagál". A Hullámtér „absztrakt színháza" kevéssé absztrakt emberek és emberi testek közreműködésével éled meg. Nagy alázat kell hozzá. Lehet, hogy ez a szép benne? A személyes személytelenség kihívása?” (Péter Márta, <a href="http://xn--tnckritika-s4a.hu">tánckritika.hu</a>)</span><br>
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<span style="color:blue">"The main character of Wave Space’s blue twilight is a lighting wave-shaped structure of which each artist keeps one and moves, rotates, puts together according to the instructions... From these subjects then all kinds of compositions and associations precipitate in pursuance of their traverse direction and speed and of course the suggestive music montage. Rotating propellers, sea gulls soaring above the sea quotate, and sometimes maybe even some kind of mystical diagrams develop. Sinking into also in its variability monotonous, uniform mood, suddenly, you might think the Bauhaus theater’s experiments of the 1920s, in which "the dancer-mime not as an individual expression carrier appears," and his dance is formed according to wheather the "human body moves as a mechanism or responds to moving set elements”. The Wave Space’s "abstract theater" comes to life with the assistance of less abstract people and human bodies. It is great humility required for it. Maybe that's the beauty in it? The challenge of personal impersonality?" (Marta Peter)</span><br>
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<b><span style="color:black">Előadók, munkatársak: </span></b><b><span style="color:blue">Performers, associates:</span></b><br>
<span style="color:black">Hrotkó Heléna, Makra Viktória, Sipos Orsolya, Törzsök Kata<br>
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<b>Rádióvezérlés, szoftverfejlesztés: </b></span><b><span style="color:blue">Radio control, software engineering:</span></b><span style="color:black"> Tankó Barnabás<br>
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<b>Hullámok: </b></span><b><span style="color:blue">Waves:</span></b><b><span style="color:black"> </span></b><span style="color:black">Terebessy Tóbiás, Tankó Barnabás<br>
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<b>Zenész: </b></span><b><span style="color:blue">Musician:</span></b><br>
<span style="color:black">Gerzson János<br>
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<b>Látvány, zenei montázs, rendezés: </b></span><b><span style="color:blue">Scenography, music montage, direction:</span></b><br>
<span style="color:black">Bérczi Zsófia<br>
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<b>Támogatók: </b></span><b><span style="color:blue">Sponsors:</span></b><br>
<span style="color:black">Emberi Erőforrások Minisztériuma, Sín Stúdió, Műhely Alapítvány, Ethnosound, Élőkép Egyesület</span></span></span></p>
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<b>helyszín:<span style="color:#a9a9a9"> venue:</span></b><span style="color:#0000ff"><b> </b></span>Bethlen Téri Színház - 1071 Budapest, Bethlen Gábor tér 3.<br>
<b>időpont: <span style="color:#a9a9a9">date:</span></b> 2016. március 5, szombat, 19.00<br>
<b>információ:<span style="color:#a9a9a9"> information:</span></b><span style="color:#0000ff"> </span><a href="http://livingpicture.us8.list-manage.com/track/click?u=ea25583de19ddc46eb42173d0&id=d0468cbc4d&e=ff9a1d833d" style="word-wrap:break-word;color:#6dc6dd;font-weight:normal;text-decoration:underline" target="_blank">http://www.bethlenszinhaz.hu</a><br>
<b>telefon: <span style="color:#a9a9a9">phone:</span></b><span style="color:#0000ff"><b> </b></span>+36 1 342 71 63<br>
<b>jegyár:<span style="color:#a9a9a9"> ticket price:</span></b><span style="color:#a9a9a9"> </span>2000 HUF</span></span></div>
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                                <a title="tovább az Élőkép Színház honlapjára / forward to Living Picture Theatre's website" href="http://livingpicture.us8.list-manage.com/track/click?u=ea25583de19ddc46eb42173d0&id=cb3af1dbee&e=ff9a1d833d" style="font-weight:normal;letter-spacing:normal;line-height:100%;text-align:center;text-decoration:none;color:#ffffff;word-wrap:break-word" target="_blank">tovább az Élőkép Színház honlapjára / forward to Living Picture Theatre's website</a>
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